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That’s certainly far more advanced than any AI that exists today, but then, it seems pretty advanced for the series’ technology, too. The first part of the series reveals that Tao’s programs make songs for her not just based on her vocal range, but on the words she uses and how she behaves. Tao hires Angela to be the first human he actually makes songs for. Tao is a wildly successful music producer who builds incredibly advanced AIs to create every aspect of a song, including vocal performances. In Carole & Tuesday, the music-making AIs generally seem to be working in tandem with an artist or producer to create a song - except in the case of Tao and Angela, whose story in the show runs parallel to Carole and Tuesday’s. Some learn purely by examining data, while others rely on hard-coded rules based on musical theory to guide their output. There are differences between platforms: some deliver MIDI while others deliver audio. It picks up on things like chords, tempo, length, and how notes relate to one another, learning from all the input so it can write its own melodies.
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Basically, you feed the software tons of source material, from dance hits to disco classics, which it then analyzes to find patterns. Most of these systems work by using deep learning networks, a type of AI that’s reliant on analyzing large amounts of data.
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More recently, AIs are being designed to generate the instrumental tracks of songs based on data from existing music. The idea dates back to at least the 1990s, when David Bowie helped develop a piece of software that reordered lyrics into new combinations to help with writing. Verge reporter Dani Deahl explored the field of using artificial intelligence to create music in the second episode of her Future of Music series. Here’s a look at how close some of Carole & Tuesday’s science-fiction tech is to reality. While the show’s Mars setting allows it to imagine some amazing fictional technology, a lot of what’s on display actually exists in some form today. The two instantly hit it off and start writing songs together, which is a uniquely strange thing on this futuristic Mars, as no one makes music without at least some help from artificial intelligence. She’s taken in by Carole, also a young aspiring musician, who makes a living jumping from one short stint at a part-time job to another. The series follows the titular Tuesday, the daughter of a rich, powerful political family, as she runs away from home and heads to the big city to pursue her dream of being a musician. Watanabe pulls off an impressive trick here by presenting a world that’s just a little off familiar tech levels, just far enough to seem impressive, without reaching too far into science fiction. It’s a futuristic world, but a familiar one as well. The series is set on Mars, 50 years after humans started living there, in a New York City-like metropolis called Alba City.
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The first episode of Carole & Tuesday - the new anime series from Cowboy Bebop and Samurai Champloo director Shinichirō Watanabe - hits Netflix on August 30th.